Posts by _LS_

    With that said, I believe it is still important to agree in what we can let slide and what kind of action staff needs to take when something becomes predominant.

    I think any hard line on the subject of SPAM has to be based on one multiple incidents of spamming by a given member. If a member posts 1 message that counts as spam, that's not really a big deal. If a member is noticed posting multiple spammy messages, that would warrant some action.

    Lets say we have a new member (or an old one, whatever). They pop into a thread and post something like "Zibba zabba zoo!" It sure looks like spam. It fits all the qualifications of being spam. But maybe it's a joke the moderator just doesn't get. Maybe it's a joke nobody gets. I'm sure we've all told jokes that have fallen completely flat before. It's embarrassing, and sending the member a message that says "stop spamming" would only compound their embarrassment.

    Now, if in a different thread they post something like "Flip Flop Floobity Bop!," then it might warrant asking the member what they're doing. And if they post "Gabbity Hup Hup B'zow!" in a third thread, then at that point it would probably be appropriate for a moderator to step in, and send a PM saying "Yo, you're breaking the rules."

    So, I'll make no bones about this: I'm an unrepentant, rabid Dan Harmon fan. If he has something to say I want to listen to it.

    But his 2012 talk at the XOXO festival is of particular interest:

    I found it again just now while going through some of my youtube favorites. I'd be interested to hear anyone's thoughts, but mostly I just think it's something that we could all benefit from thinking about.

    As with so many things, I think the Internet has largely solved the problems posed by the '90s and '00s.

    The music that gets promoted in the mainstream is still pretty manufactured. But who cares? Now I can listen to a bunch of bands who made themselves popular through the internet. The means of artistic production have returned to the people.

    Ho shit! I forgot about that song. That's some seriously masterful composing right there. The overworld theme is also really solid:

    Contra! I never played it on an NES myself, but I was a huge fan of Contra III on the SNES, so when I learned about emulators Contra was one of the first games I played. And damn if the music in this game isn't energetic as fuck:

    I would definitely say it's better to build up to this game with less complex / more well polished strategy games. The time I spent playing Civ V helped me to understand the style of gameplay a lot better.

    The Super Mario Brothers Super Show doesn't really hold up at all. If you ever wanna go back and watch cartoons from your childhood, there are much better choices than that. It's a curious relic of the early years of the video game resurgence. But it's not fun to watch.

    So if Link is going to have a last name, with Zelda?

    Come to think of it, is Ganon the only character in the series whose ever had a last name?

    Just another tool of bourgeois oppression, comrade.

    I actually just got a pretty good lead on a job at an oldschool game Arcade. I've got an interview tomorrow. Hopefully I get it, because if I don't start bringing in some money, I'm probably going to have to move. Which would really suck, cuz I like my house.

    @Sardonic Pickle and I are having a really dumb argument.

    I contest that the music of '60s-'80s was generally good, after which music got shitty. He contests that something "went wrong" in the '80s, and that the '90s "saved" music for awhile before it went bad again in the '00s.

    I should disclaim that as a general rule, I don't like music that much. I have my opinions to be sure, but I don't put much weight behind them.

    So, @Sardonic Pickle. Praytell, what is redeeming about the music of the '90s? Can you give me some examples that don't fit my aforementioned generalization of "overpolished corporate mush?"

    Ya'll're on shrooms motherfucker! The music of the '80s was the last gasp of the musical renaissance that was the '60s and '70s. Metal and punk rock really came into their own during that decade.

    The '90s are the dark days, where every piece of popular music was over-polished corporate mush.